In the 20th century, skillful, exacting imitation of appearances tended to fall from artistic grace as photography displaced painting as the medium of likeness. Henri Matisse, in helping to liberate painting from a mere description of reality, is famous for having said, “L’exactitude n’est pas la v
By Edgar Allen Beem
Apr 23 2009
Linden Frederick, Fonda Fair, 2004, Oil on linen, 30 x 30 inches
Courtesy of Forum Gallery, New York
In the 20th century, skillful, exacting imitation of appearances tended to fall from artistic grace as photography displaced painting as the medium of likeness. Henri Matisse, in helping to liberate painting from a mere description of reality, is famous for having said, “L’exactitude n’est pas la v
Take a look at art in New England with Edgar Allen Beem. He’s been art critic for the Portland Independent, art critic and feature writer for Maine Times, and now is a freelance writer for Yankee, Down East, Boston Globe Magazine, The Forecaster, and Photo District News. He’s the author of Maine Art Now (1990) and Maine: The Spirit of America (2000).
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